This subversive methodology was established and solidified through Week’s earliest work, particularly in the series Ovahimba Youth Self-Portraits, a project that places the power of picture-taking back into the hands of historically fetishized subjects — both literally and figuratively. Since compiling the Ovahimba portraits between 2012 and 2014, Weeks has published a photobook of the seminal series, and explored similar themes with his project Palm Wine Collectors.


Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022






Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022






Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022







Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022







Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022

Emmanuel
@isurboi_protein1

Accra, Ghana  2022







Catalogue

Name person in photo
Place, 2018


Name person in photo
Place, 2018

Name person in photo
Place, 2018


Name person in photo
Place, 2018

Name person in photo
Place, 2018


Name person in photo
Place, 2018

Name person in photo
Place, 2018


Name person in photo
Place, 2018

Name person in photo
Place, 2018


Name person in photo
Place, 2018

Name person in photo
Place, 2018


Gallery / Catalogue

Kyle Weeks ©2022